Not so young... but getting quite restless.

As a Y&R fan, I've been one who loves the show and has been frustrated by the show, off and on throughout the years. This is mostly due to how certain writers have led the way, some good, some not so good. I've also been re-energized by the ways that some of the vets have been given a chance to shine more. So here is my place to cheer, to jeer, and to share my favorite moments.

Monday, August 22, 2011

"How Not To Wreck a Show"

Douglas Marland was a well respected writer on a number of soaps.  He wrote for GH during the Glory Monty era and helped bring GH from near cancellation to a number one soap.  He revitalized ATWT and had a keen eye for bringing characters and a story to life that would turn mere viewers into soap fans.  His rules for "How Not To Wreck a Show" served him well and it would behoove CBS to require  the writers for Y&R to employ these techniques.


Douglas Marland's "How Not To Wreck a Show"

1. Watch the show.

2. Learn the history of the show. You would be surprised at the ideas that you can get from the back story of your characters.

3. Read the fan mail. The very characters that are not thrilling to you may be the audience's favorites.

4. Be objective. When I came in to ATWT, the first thing I said was, what is pleasing the audience? You have to put your own personal likes and dislikes aside and develop the characters that the audience wants to see.

5. Talk to everyone; writers and actors especially. There may be something in a character's history that will work beautifully for you, and who would know better than the actor who has been playing the role?

6. Don't change a core character. You can certainly give them edges they didn't have before, or give them a logical reason to change their behavior. But when the audience says, "He would never do that," then you have failed.

7. Build new characters slowly. Everyone knows that it takes six months to a year for an audience to care about a new character. Tie them in to existing characters. Don't shove them down the viewers' throats.

8. If you feel staff changes are in order, look within the organization first. P&G (Procter & Gamble) does a lot of promoting from within. Almost all of our producers worked their way up from staff positions, and that means they know the show.

9. Don't fire anyone for six months. I feel very deeply that you should look at the show's canvas before you do anything.

10. Good soap opera is good storytelling. It's very simple.

1 comment:

  1. very good rules! Too bad the soap execs don't care enough to live by them :(

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